Enchiridion Little Pieces for piano 秦摩曼貝恩德 小品鋼琴 鋼琴獨奏 朔特版

齊默爾曼曾說自己是 "來自萊茵河畔的僧侶和狄俄尼索斯的混合體"。各種類型的大型爆炸性作品與近乎禁欲主義的緘默保持著平衡。鋼琴曲集《Enchiridion》的第二部分創作於 1952 年，副標題為 "Exertizien"（精神練習）。樂章標題 "Vigil"、"Hora "和 "Matutin "參考了修道院的 "時辰禮儀"，不過齊默爾曼特別提到，這套曲目的功能是 "研究富有表現力的演奏和觸鍵"。齊默爾曼一生信奉天主教。他在晚年的許多作品上都刻上了耶穌會的座右銘 "一切為了上帝更大的榮耀"（Omnia ad maiorem Dei gloriam）的縮寫 "O.A.M.D.G."

作曲家: Zimmermann, Bernd Alois
樂器: piano
出版社: Schott Music

曲目:
I Introduktion - II Ekloge - III Rondino - IV Bourrée - V Meditation - VI Aria - VII Estampida - VIII Toccata - IX Vigil - X Hora - XI Ostinato - XII Matutin - XIII Imagination - Appendix: Intermezzo - L'après-midi d'un Puck - Hommage à Johann Strauß

原文簡介:
Zimmermann once characterised himself as being “a mixture of monk and Dionysos from the banks of the Rhine”. Large-scale, explosive works of all genres are balanced by an almost ascetic reticence. The second section of the collection of piano pieces entitled Enchiridion was composed in 1952 and is subtitled Exertizien [spiritual exercises]. The movement headings Vigil, Hora and Matutin make reference to the monastic Liturgy of the Hours, although Zimmermann specifically refers to the function of the cycle as “studies in expressive playing and touch”. Throughout his life, Zimmermann remained a religious individual shaped by Catholicism. He inscribed many of his later works with the abbreviation O.A.M.D.G., the Jesuit motto “Omnia ad maiorem Dei gloriam” [All for the greater glory of God].