Dört Sehir op. 41 (Four Cities) 賽伊．法佐 大提琴加鋼琴 朔特版

茲爾說："《四城奏鳴曲》可視為安納托利亞四城之旅。這部作品的靈感來自法茲爾-賽斯的回憶和他生活中的事件。眾所周知，博多魯姆是一座遊客常去的城市，這使它與其他三座城市截然不同。在安納托利亞近 2000 公里的廣袤土地上，我們選擇了這四座文化迥異的城市。西瓦斯西瓦斯位於安納托利亞東部，是一座保守的城市，以擁有大量阿列維人而聞名。As¸?k Veysel 是一位阿列維詩人，Faz?l Say 從他的歌曲 Saz?m（我的薩茲/我的樂器）中獲得靈感，創作了這部作品的第一部分。樂章在模仿這種民族樂器的憂鬱音調中結束。Hopa 傳統婚禮為法茲爾-薩伊提供了創作第二樂章的靈感，該樂章蘊含了東黑海文化。Horon》是用東黑海地區的一種典型樂器 kemence 演奏的 7/16 拍快速民族舞蹈。音樂還涉及高加索、格魯吉亞和拉茲舞蹈、無名歌曲、拉茲婦女和 Cilveloy nanayda（一首土耳其歌曲）。安卡拉1923 年，阿塔圖爾克宣佈安卡拉為土耳其首都。這座擁有 400 萬人口的城市是作曲家出生和度過童年的地方。安卡拉-塔斯特納-巴克》（Ankaran?n Tas¸?na Bak）是一首可追溯到第一次世界大戰時期的反叛歌曲，在哀傷的中段可以聽得出來。樂章充滿悲劇氣氛，喚起了共和精神和舊時代的氛圍。博多魯姆博多魯姆被譽為土耳其的聖特羅佩。市內一條著名的街道兩旁有數不清的酒吧和酒館，爵士樂、流行樂、搖滾樂和民歌等各種音樂在這裡交織縈繞。Faz?l Say 將這些酒吧的音樂融合在這一樂章中，其中包括一個搖擺爵士樂節奏的步行主題。該樂章參考了著名歌手 Zeki Muren 演唱的歌曲《Y?ld?zlar?n Alt?nda》，而 Zeki Muren 也出生在博多魯姆。As¸?k Veysels 的歌曲《Uzun Ince Bir Yolday?m》也在這一樂章中出現，這首歌在眾多改編曲中都非常著名。這首曲子描繪了在這座城市中經常發生的酒館鬥毆事件，最後以荒誕不經的方式戛然而止"

作曲家: Say, Faz?l
樂器: cello and piano
出版社: Schott Music

曲目:
I Sivas - II Hopa - III Ankara - IV Bodrum

原文簡介:
Faz?l Say’s “Four Cities” Sonata can be considered as a journey through four cities of Anatolia. This work has taken its inspiration from Faz?l Say’s memories and events of his life. Bodrum is well known as a city greatly frequented by tourists which sets it apart from the other three locations. These four very different cities with their individual cultures have been selected from the nearly 2000-km wide expanse of Anatolia. SivasSivas is a conservative city located in Eastern Anatolia which is known for its large Alevi population. As¸?k Veysel is an Alevi Ozan (poet) and Faz?l Say has been inspired by his song “Saz?m” (my saz/my instrument) in the first part of this work. The movement is concluded on a melancholy tone in imitation of this ethnic instrument. HopaA traditional wedding provided Faz?l Say with his inspiration for this second movement which embraces Eastern Black Sea culture. Horon is a very fast folk dance in 7/16 time which is played on the kemence, a typical instrument of the Eastern Black Sea region. The music also touches on Caucasian, Georgian and Laz dances, anonymous songs, “Laz women” and “Cilveloy nanayda” (a Turkish song). AnkaraAnkara was declared the capital city of Turkey by Atatürk in 1923. This city with its population of four million was where the composer was born and also spent his childhood. “Ankara’n?n Tas¸?na Bak”, a rebellious song dating back to the First World War, can be discerned in the mournful middle section. The movement with its atmosphere of tragedy evokes the republican spirit and the ambience of former times. BodrumBodrum is universally known as the Saint-Tropez of Turkey. A famous street in the city is fringed with countless bars and pubs from which a cacophony of different music can be heard, ranging from jazz, pop and rock to folk songs. Faz?l Say blends the sounds from these pubs in this movement which includes a walking theme in a swinging jazz tempo. The movement makes a reference to the song “Y?ld?zlar?n Alt?nda” which was performed by the famous singer Zeki Muren who was also born in Bodrum. As¸?k Veysel’s song “Uzun Ince Bir Yolday?m” which is wellknown in numerous arrangements is also featured in this movement. It is brought to an abrupt and absurd conclusion in its depiction of a pub brawl as frequently experienced in this city.