Douze Études transcendentales 鋼琴獨奏 朔特版

廉-基爾邁耶（Wilhelm Killmayer）創作的這些練習曲與李斯特（Franz Liszt）高度精湛的《超凡演奏曲》（Études d'exécution transcendante）不同，"這些練習曲'刻意採用反虛擬的手法，沒有色度，即使用七個音調，且主要分為兩個部分'。(威廉-基爾邁耶）這十二首小品中的每一首都集中于一個作曲或技術方面。基爾邁耶對鋼琴家的注意力、微妙的演奏色彩和有區別的發音提出了很高的要求。第七首小步舞曲的標題是'Im Schumann-Ton'（舒曼之音）--這是一首不加修飾的深情音樂，在調式上總是莫名其妙地'缺席'，讓人難以捉摸"

作曲家: Killmayer, Wilhelm
樂器: piano
出版社: Schott Music
原文簡介:
Unlike the highly virtuoso Études d’exécution transcendante by Franz Liszt,these études by Wilhelm Killmayer are written ‘in a deliberately anti-virtuosomanner, without chroma, i.e. with seven tones and largely in two parts’. (Wilhelm Killmayer)Each of the twelve pieces focusses on a single compositional or technical aspect. Diatonic scales, parallel thirds and major chords are combined with some technically very tricky passages.Killmayer makes great demands on the pianist’s concentration, subtly coloured performance and differentiated articulation. The seventh étude is given the title ‘Im Schumann-Ton’ – unforced heartfelt music, always somehow “absent” and unpredictable in its modulations.