Der wunderbare Madarin Pantomime in one act 總譜 環球版

在《國語》中，他終於打破了浪漫主義傳統，也擺脫了世紀之交典型的藝術努力。童話劇首次反映了巴托克從民間音樂中學到的東西，並將其提煉為一種個人的表達方式，一種個人的樂句。他有意識地與自己年輕時的意識形態和風格劃清了界限。György Kroó

作曲家: Bartok, Bela / Diverse
編者: Bartok, Peter
樂器: for orchestra
出版社: Universal Edition
原文簡介:
In the Mandarin he finally breaks with the romantic tradition and also turns away from the artistic endeavours typical of the turn of the century. The pantomime reflects for the first time what Bartók had learnt from folk music, refined into a personal expression, an individual phraseology. He consciously settles a score with the ideology and the style of his youth.' György Kroó

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