Contrapuntal Piano-Playing Playing with two independent voices 鋼琴 人聲 鋼琴練習曲 朔特版
第一部分：對協奏曲的詮釋對鋼琴家提出了特殊的要求。令人驚訝的是，很少有作品集系統地論述這一重要主題。在這兩本書中，弗裡茨-埃蒙茨編寫了一種'協奏曲鋼琴演奏法'，可以在幾年的鋼琴教學中使用。第一冊從簡單的曲目開始（ostinato 形式、卡農、帶低音的樂曲），帶領我們學習簡單的舞蹈動作，直到 J. S. 巴赫的《發明曲》。第二冊提供了從巴羅克到浪漫主義的更高層次的曲目。這些作品被系統地分組，以區分三個聲部的分配方式"
作曲家: Emonts, Fritz
樂器: piano
出版社: Schott Music
曲目:
Part 1: Pieces with ostination: F. Emonts: Three dances - F. Emonts: Two modern dances - C. Orff: Chaconne - Two-part canons: F. Emonts: Two-part canons - P. Hindemith: Kanon - Pieces with canonic part-writing: J. Pachelbel: Fuga - G.F. Händel: Fuge - W.Fr. Bach: Bourrée - J.S. Bach: Menuet A minor - Pieces with „Walking bass“: C.Ph.E. Bach: Menuetto - J.S. Bach: Menuett B major - J.C.F. Fischer: Gavotte - J.S. Bach: Gib dich zufrieden - J.S. Bach: Polonaise - Exercises for acquiring - Two preparatory exercises for Bach’s Invention in C major - 5 Inventions by J.S. Bach: No. 1 C major - No. 4 D minor - No. 8 F major - No. 10 G major - No. 13 A minor - Part 2: Selected pieces: a. Right hand plays two parts and left hand one: J. N. Hummel: Air Russe - J. Kuhnau: Sarabande - G.F. Händel: Fughette - J. G. Walther: Choral 'Mach's mit mir Gott, nach deiner Güth' - J.C.F. Bach: Trio - J. Pachelbel: Werde munter, mein Gemüte - G.F. Händel: Two Variations on an aria - J.S. Bach: Präludium - b. Right hand plays one part and left hand two: J. Duiphly: Rondeau - J. Pachelbel: Variationen über “Werde munter, mein Gemüte” - J.S. Bach: Anglaise - J.S. Bach: Sarabande - J.S. Bach: Choral “Wer nur den lieben Gott läßt walten” - c. Middle part shared by both hands: G.F. Händel: Gigue - F.W. Zachow: Choralpräludium “Vom Himmel hoch” - J.S. Bach: Sinfonia - W.A. Mozart: Courante - G.F. Händel: Sarabande - R. Schumann: Tune in canon - Exercices - Silent change of finger - Two voices in one hand - Exercises for the inaudible transfer of a melody from one hand to the other
Part 1: The interpretation of contrapuntal music makes particular demands on the pianist. Surprisingly there are very few collections which deal systematically with this important theme. In these two books Fritz Emonts has written a kind of 'Method of Contrapuntal Piano Playing' which may accompany piano tuition over a period of several years. Book 1 begins with easier pieces from the repertoire (ostinato forms, canons, pieces with walking bass) and takes us through easy dance movements up to the Inventions by J. S. Bach. Book 2 offers a selection of repertoire on a rather higher level, from Baroque to Romantic. The pieces are grouped systematically, to distinguish three ways in which parts are distributed.