Concerto grosso C Major op. 3/12 Christmas concerto 大協奏曲大調 協奏曲 小提琴加鋼琴 朔特版

大調 "聖誕協奏曲"（Weihnachtskonzert）特別受歡迎，它延續了科雷利在作品 6 之 8 結尾的牧歌，或托雷利在作品 8 之 6 中的傳統，並延伸至漢德爾的《彌賽亞》中的牧歌，以及約翰-塞巴斯蒂安-巴赫的《聖誕清唱劇》第二首大合唱中的協奏曲。最後，這源于牧羊人的音樂創作--他們在耶誕節從阿布魯齊和卡拉布裡亞來到羅馬，在嬰兒床前演奏蕭姆和風笛。因此，流行的連續三度音程和持續的低音音調成為第一段拉戈的特點，這是用搖擺的、典型的12/8圓點拍子演奏的真正的西西里鋼琴曲"

作曲家: Manfredini, Francesco
編者: May, Helmut W.
樂器: 2 violins, cello, string orchestra and harpsichord
出版社: Schott Music
原文簡介:
It was the Weihnachtskonzert (Christmas concerto) in C major that won special popularity continuing a tradition which was cultivated by Corelli with his pastoral at the end of Op. 6 No. 8 or by Torelli in his Op. 8 No. 6 and reaching to the pastoral in Händel's Messiahs and to the sinfonia in the second cantata of Johann Sebastian Bach's Christmas oratorium. This, finally, originates from the music-making of shepherds - coming from the Abruzzi and from Calabria to Rome at Christmas to play the shawm and the bagpipes in front of the cribs. Hence the popular consecutive thirds and the sustained bass tones characterizing the first Largo, a genuine siciliano in the rocking, typically dotted 12/8 time.