Chorale and Tribute 林德貝里．馬格努斯 聖詠合唱 總譜 博浩版

為管弦樂隊創作的《合唱曲》（2001-02）是對巴赫的大合唱《O Ewigkeit, du Donnerwort》中的合唱曲《Es ist genug》的一種音樂冥想，這首合唱曲本身是對 J R Ahle 的 1662 年讚美詩的和聲。尼克-金伯利（Nick Kimberley）在序言中概述了巴赫原作的背景，並提到阿爾班-伯格（Alban Berg）在近 300 年後的小提琴協奏曲中使用了這首合唱曲。與這兩部作品不同的是，林德伯格的《合唱曲》沒有任何額外的音樂目的。作曲家解釋說，他採用了合唱曲的和聲結構，並將其嵌入自己的和聲中。"我用潮汐的漲落來做類比。當潮水漲起時，海床是看不見的；但當潮水退去時，你會看到海床上的岩層。""致敬 "是一首短小的管弦樂表演曲目，作於 2004 年，是為慶祝埃薩-佩卡-薩洛寧與洛杉磯愛樂樂團首次合作 20 周年而創作的禮物

作曲家: Lindberg, Magnus
樂器: orchestra
出版社: Boosey & Hawkes

曲目:
ChoralePreface - Vorwort - Préface - Instrumentation - ScoreTributeInstrumentation - Score

原文簡介:
Chorale (2001–02), for orchestra, is a kind of musical meditation on the chorale Es ist genug from Bach’s cantata O Ewigkeit, du Donnerwort, itself a harmonisation of J R Ahle’s 1662 hymn. Nick Kimberley’s preface outlines the context of the Bach original and refers to Alban Berg’s use of the chorale in his Violin Concerto almost 300 years later. In contrast to both of these works, Lindberg’s Chorale has no extra-musical agenda. The composer explains that he took the harmonic structure of the chorale and embedded it in his own harmonies. “I make an analogy with the rise and fall of the tide. When the tide is in, the sea-bed is invisible; but when the tide goes out, you see the rock formation on the sea-bed.”Tribute is a short show-piece for full orchestra composed in 2004 as a gift to celebrate the 20th anniversary of Esa-Pekka Salonen’s debut with the Los Angeles Philharmonic.