Captured Instants op. 82 Spiegelfantasie fu?r Klavier 幻想曲 鋼琴獨奏 柏特-柏克版

琴家海德倫-霍爾特曼（Heidrun Holtmann）在紀念 "德國與以色列建交 50 周年 "的音樂會上邀請多位作家作曲。馬丁-克裡斯托夫-雷德爾（Martin Christoph Redel）對以色列目前的緊張局勢印象深刻，因此他將自己的作品命名為 "被捕捉的瞬間"（Gefangene Augenblicke），並用 "鋼琴鏡像幻想曲"（Spiegelfantasie für Klavier）作為副標題，意指作品從中間向後移動的特殊形式。儘管樂曲的形式是靜態的、封閉的，但在 "外作曲 "的鳥叫聲中，樂曲也有充滿希望的時刻。雷德爾說，'因為鳥兒'是'天地之間的仲介'"

作曲家: Redel, Martin Christoph
樂器: piano
出版社: Bote & Bock
原文簡介:
For her concerts marking the anniversary of '50 Years of diplomatic relations between Germany and Israel' the pianist Heidrun Holtmann asked several authors to write compositions. Being under the impression of the tensions currently existing in Israel, Martin Christoph Redel gave his piece the title 'Gefangene Augenblicke' [Captured Moments] and uses the subtitle 'Spiegelfantasie für Klavier' [Mirror Fantasia for Piano] to refer to the special form of the work which moves backwards from the middle of the piece. Despite its static, closed form, the piece has its hopeful moments in the form of 'out-composed' bird-calls. 'For the bird', says Redel, 'is the mediator between heaven and earth'.