Capriccio notturno GeWV 263 耿茲莫 隨想曲 長笛加鋼琴 朔特版

哈拉爾德-根茨默（1909-2007 年）的作品範圍廣泛，其中包括大量小型室內樂作品。在他創作生涯的最後階段，長笛發揮了重要作用。正是在這一時期，他為長笛或高音直笛和鋼琴創作了 Capriccio notturno，這可以追溯到他閱讀弗裡德里希-尼采（Friedrich Nietzsche）的《查拉圖斯特拉如是說》（Thus Spake Zarathustra）時，根茨默非常欣賞尼采。根茨默以尼采作品第二部分的《夜曲》作為作品的開頭，並將其作為座右銘。Capriccio notturno》的長笛部分則利用了高音直笛的可能性，讓長笛演奏得更加自如。在這兩部作品中，鋼琴部分也是如此，高要求的音樂背景需要經驗豐富的演奏者：這既是音樂會舞臺的作品，也是高年級或青少年比賽的作品

作曲家: Genzmer, Harald
編者: Waechter, Edmund / Weinzierl, Elisabeth
樂器: flute (treble recorder) and piano
出版社: Schott Music

曲目:
Ritenuto - Andante tranquillo - Intermezzo - Finale

原文簡介:
The wide-ranging oeuvre of Harald Genzmer (1909-2007) is completed by a large number of small-scale chamber music works. In the last stage of his creative life, the flute played a major role. It was in that period that he composed Capriccio notturno for flute or treble recorder and piano, which goes back to his reading Friedrich Nietzsche's Thus Spake Zarathustra whom Genzmer admired very much. Genzmer begins his work with Nachtlied from the second part of Nietzsche's work, using it as a motto. The flute part of Capriccio notturno lies comfortably on the flute, using the possibilities of the treble recorder. In both cases, as in the piano part as well, the demanding musical context requires experienced performers: a work for both the concert stage and upper school classes or youth competitions.