Blues Time 14 pieces 藍調 小品 鋼琴獨奏 齊默爾曼版

即使在藍調誕生一個多世紀後的今天，它的魅力依然不減，這要歸功於其直接的表現力和多種多樣的形式。藍調產生於十九世紀下半葉的美國南部各州。黑人歌手（包括男歌手和女歌手）在藍調中表達了對常人難以忍受的生活條件的不滿，同時也唱出了愛情的歡樂與痛苦。將經典卡頓舞曲的三個基本和絃--主音（T）、副主音（S）和主音（D）--與源於非洲、包含藍色音符的旋律疊加在一起，就產生了大調和小調之間的波動，這也是藍調至今仍具有的特點。本書適合中等水準的鋼琴家學習藍調。每首小品都有自己的特點，音樂的節奏和韻律也各不相同，希望能讓您有機會再次聆聽著名的布魯斯老唱片。 弗蘭克-溫施（Frank Wunsch，* 1945 年），鋼琴家、作曲家，科隆音樂學院爵士樂鋼琴教授"

作曲家: Wunsch, Frank
樂器: piano
出版社: Musikverlag Zimmermann

曲目:
Displacement Blues - Sharp Eleven - Extended Blues - Four-One, Five-Two - Watch out for the Accent - Monkian Blue - Greetings from Havana - Staccato Blues - Telemann's Dream - Thirds against Seconds - Boogie in Sicths - For McCoy Tyner - A Touch of Brahms - Unison Blues

原文簡介:
Even today, well over a century after they were first created, the blues has lost none of its fascination, thanks to its direct expressive power and the variety of forms it can take. The blues was created in the southern states of the USA in the second half of the nineteenth century. Black singers, both male and female, expressed their discontent with the often unbearable living conditions they had to endure, but also sang of the joy and misery of love. Overlaying the three basic chords of the classic cadenze - tonic (T), sub-dominant (S) and dominant (D) - with a melody of African origin containing blue notes yielded the fluctuation between major and minor that is still characteristic of the blues today. This book qualifies to introduce to the blues for pianist of mediate level. Every single one of the short pieces has got its own characteristics, the music varies in tempo and rhythm and it hopefully gives you the chance to consider listening to one of the old famous blues records again. Frank Wunsch (* 1945) is a pianist composer and professor for piano in jazz at the college of music in Cologne.