Avant-dernières Pensées 薩悌 鋼琴 亨乐版

薩蒂以一種典型的幽默方式，用他的 "下一個想法"（"Avant-dernières Pensées"）反駁了大師 "最後一個想法 "的神話。與薩蒂 1912 年以後的鋼琴作品一樣，這三首風格迥異、音色敏感的鋼琴作品中的每一首都包含一個簡短的奇思妙想的故事，作為潛臺詞印在音樂文本中，或多或少地與音樂緊密相連。薩蒂將他的 "最後的思緒 "獻給了同時代的著名音樂家： 克勞德-德彪西（為 1 號 "Idylle"），他與德彪西是摯友；保羅-杜卡斯（為 2 號 "Aubade"，英文為 "Dawn Serenade"），他非常欣賞杜卡斯的音樂；阿爾貝-魯塞爾（為 3 號 "Méditation"），他曾在巴黎 Schola Cantorum 學習對位法的老師"

作曲家: Erik Satie
校訂者: Ulrich Krämer
樂器: Piano/Keyboard
出版社: Henle Urtext Edition
原文簡介:
In a typically humorous manner Satie countered the myth of the great master's “last thought” with his “Next-to-last thoughts” (“Avant-dernières Pensées”). As was usual with his piano works from 1912 onwards, each of the three highly distinctive pieces with their sound sensitive piano settings contained a short whimiscal story printed in the musical text as a subtext, which is more or less closely connected with the music. Satie dedicated his “Next-to-last thoughts” to prominent contemporaries: Claude Debussy (for no. 1 “Idylle”), with whom he was close friends; Paul Dukas (no. 2 “Aubade,” in English “Dawn Serenade”), whose music he greatly admired; and Albert Roussel (no. 3 “Méditation”), his former teacher of counterpoint at the Schola Cantorum in Paris.