Adagio and Fugue D minor Falck 65 巴赫威廉‧弗利德曼 慢板復格曲小調 長笛加管弦樂團 朔特版

然布拉赫沃格爾（A.E. Brachvogel）在其關於巴赫的傳記中對這位 "失敗的天才 "進行了描繪，對這位巴赫長子的內心動盪描繪得淋漓盡致，但這對理解他的音樂卻毫無益處。然而，傳說往往或大多包含著真理的內核：毫無疑問，這位極具天賦的音樂家失敗了，因為他的父親（作為作曲家）以身作則，尤其是他正處在從一個時代邁向另一個時代的門檻上。"在序曲中，長笛的兩個聲部都高於絃樂隊，其表現手法已經可以與感傷時代聯繫起來，而第二樂章，一首或多或少有些嚴格的弦樂賦格曲，則植根于注重傳統的巴羅克時期

作曲家: Bach, Wilhelm Friedemann
編者: Lebermann, Walter
樂器: 2 Flutes and String Orchestra
出版社: Schott Music
原文簡介:
Though A.E. Brachvogel’s portrayal of the failed genius“ in his biography about W.F. Bach drew an impressive picture of the inner turmoil of the eldest Bach son's personality, it is rather unproductive for the understanding of his music. However, legends often or mostly contain a core of truth: There is no doubt that the highly gifted musician failed because of the overwhelming example of his father (as composer) particularly since he was on the threshold from one epoch to another.In the adagio, both flute parts rising above the string orchestra are assigned a quality of expression that can already be related to the sentimental age whereas the second movement, a more or less strict string fugue, is rooted in the tradition-conscious baroque period.