6. Sinfonie Chinesische Lieder 彭德瑞茲基 歌曲 總譜 朔特版

交響樂的歷史充滿了奇聞異事，從篇幅極長的作品、為大量樂器配樂的作品到作者身份可疑的作品，不一而足。此外，還有一些著名的交響曲被標為第 0 號，一些作品交替使用或使用多個作品編號，還有大量'未完成'的交響曲。克裡斯托夫-潘德列茨基（Krzysztof Penderecki）的《第六交響曲》（6. Sinfonie）也可歸入此類，因為他的第七交響曲和第八交響曲早在幾十年前就已完成。與前兩部作品一樣，這部作品的重點是母音。不過，這部作品是為較小的管弦樂團配樂的，具有更親密的室內樂特徵，有時比之前的作品更加憂傷。潘德列茨基曾宣佈這部交響曲是他告別交響樂的作品，儘管我們從經驗中得知，交響樂是無所不能的"

作曲家: Penderecki, Krzysztof
樂器: baritone and orchestra
出版社: Schott Music

曲目:
I Die geheimnisvolle Flöte (Li-Tai-Po) - II In der Fremde (Li-Tai-Po) - III Auf dem Flusse (Thu-Fu) - IV Die wilden Schwäne (Ly-Y-Han) - V Verzweiflung (Ly-Y-Han) - VI Mondnacht (Thang-Schi-Yie-Tsai) - VII Nächtliches Bild (Tschan-Jo-Su) - VIII Das Flötenlied des Herbstes (Thu-Fu)

原文簡介:
The history of the symphony is full of curiosities, ranging from works that are extremely long or scored for extensive instrumental forces to those of dubious authorship. There are also famous symphonies labelled as No. 0, works with alternate or multiple opus numbers, and a wealth of ‘unfinished’ symphonies. Krzysztof Penderecki’s 6. Sinfonie can also be included in this category, since his Seventh and Eighth were completed decades ago.This work is comprised of eight songs on Chinese texts connected by solo intermezzos played on the Chinese stringed instrument, erhu. As in his two preceding works, the focus here is on vowels. This work, however, is scored for smaller orchestral forces and possesses a more intimate chamber music character, at times with greater melancholy than before. Penderecki has declared this symphony to be his farewell from the genre, although we know from experience that anything is possible with symphonies.