6 Introduzioni teatrali op. 4/1-6 Vol. 1 洛卡泰利 總譜 歐伊倫堡版
乍一看，《引子》似乎是活潑的三樂章作品，樂章順序和和聲順序都很規範：快-慢-快，大-小-大。1735 年，才華橫溢的義大利小提琴家兼作曲家皮埃特羅-安東尼奧-洛卡特利（Pietro Antonio Locatelli）在阿姆斯特丹創作了 6 部《戲劇引子》（Introduzioni teatrali），或許是為了滿足荷蘭業餘交響樂團的巨大需求。直到 18 世紀末，洛卡特利的作品在整個歐洲都享有盛譽，儘管這位作曲家的生活非常隱蔽。他沒有學生，也從不公開演出。在他收養的城市阿姆斯特丹，他自由創作，不受教會或宮廷的控制。對於一位 18 世紀的作曲家來說，這是不尋常的生活方式，也是不尋常的作品
作曲家: Locatelli, Pietro Antonio
編者: Cattoretti, Anna
樂器: string orchestra and basso continuo
出版社: Ernst Eulenburg & Co. GmbH
曲目:
Preface - Introduzione No. 1 D major - Allegro - Allegro - Presto - Introduzione No. 2 F major - Allegro - Andante - Allegro - Introduzione No. 3 Bb major - Allegro - Andante - Presto - Introduzione No. 4 G major- Allegro - Andante - Presto - Introduzione No. 5 D major- Allegro - Andante - Presto - Introduzione No. 6 C major- Vivace - Andante - Presto
At first glance, the Introduzioni appear to be lively three-movement works with a standardized order of movements and harmonic order: fast - slow - fast, major - minor - major. With regard to style, the short symphonies resemble the Neapolitan opera buffa, the descriptive title Introduzioni implying the function, the introduction to stage works.With his 6 Introduzioni teatrali, composed in 1735, the talented Italian violinist and composer Pietro Antonio Locatelli who had lived in Amsterdam since 1729 perhaps paid tribute to the great demand on the part of the Dutch amateur orchestras. But were the master and his oeuvre actually as well adjusted as it seems?Locatelli's works were well known throughout Europe until the end of the 18th century, although the composer led a very secluded life. He had no students and never performed in public. In his adopted city Amsterdam he worked freely, without being controlled by the church or the court. An unusual lifestyle for an 18th-century composer – and also an unusual composition?