15 Bagatelles Arrangements for wind quintet 貝多芬 木管五重奏 改編管樂五重奏

就音樂史而言，管樂五重奏流派處於兩個流派之間：18 世紀的作曲家偏愛六重奏或八重奏的樂器編制，每種樂器都有兩件等重的樂器，用於演奏管樂小品和小夜曲；而浪漫主義作曲家則偏愛絃樂器溫暖的音色--這只為混合管樂五重奏留下了短暫的過渡時期。幾乎沒有偉大的古典音樂作品是為這種音調迷人的體裁而創作的。貝多芬的幾首精選巴格泰勒舞曲將有助於填補古典音樂曲目中的這一空白。此外，正是貝多芬畢生耕耘的這種小型私密長笛體裁，能夠創造出其作為管樂室內樂的新魅力"

作曲家: Beethoven Ludwig van
校訂者: Stamm, Peter
樂器: wind quintet
出版社: Simrock / Benjamin (Elite Edition)

曲目:
WoO 52 - op. 33/2 - op. 33/4 - op. 33/6 - op. 33/7 - WoO 56 - op. 119/1 - op. 119/3 - op. 119/4 - op. 119/5 - op. 119/7 - op. 119/8 - op. 119/9 - op. 119/11 - op. 126/4

原文簡介:
In terms of music history, the wind quintet genre is caught between two schools: 18th-century composers preferred the sextet or octet instrumentation with two equal instruments each for their wind divertimentos and serenades, whereas the Romantic composers preferred the warm sound of the string instruments - which only left a short period of transition for the mixed wind quintet. There was hardly any great classical music written for this tonally charming genre. The present arrangement of several selected bagatelles by Beethoven shall help to fill this gap in the classical repertoire. Besides, it is precisely the genre of the small intimate bagatelle which Beethoven cultivated his whole life that is able to create its own new charm as wind chamber music.
難度: intermediate