How to Approach Standards Chromatically Techniques of Superimposition 利伯曼

最完整的標準半音階即興演奏方法！大衛清楚地解釋並演示了在標準和絃變化上進行半音疊加的藝術（以幾首流行的爵士樂曲目為載體），從而演奏出具有現代感的爵士樂線條。包括 Girl from Ipanema、Donna Lee、Autumn Leaves、Take the A Train、Satin Doll、Rhythm and Blues Changes、Impressions、India、Loft Dance 和 A Love Supreme 的標準和疊加和聲。CD 光碟中既有口頭指導，也有大衛使用書中所述技巧對標準曲目進行的獨奏。書中包含對每首獨奏的分析，CD 上的獨奏轉錄為所有 C、降 B 和降 E 樂器！How to Approach Standards Chromatically》是一本略有不同的隨堂練習曲。書中收錄了大量 Libbman 獨奏曲的轉錄本，供學生學習和演奏。這本書的範圍有點令人眼花繚亂：利布曼的方法是為學生提供十二首曲目和疊加概念，這些曲目在不協和食物鏈中層層遞進。Libbman 在對比半音色彩方面所借鑒的材料包括上結構和絃、三度音關係、ii-V 取代、大臺階移動、側滑、移動和絃迴圈、純粹的音程思維以及其他高級概念。要從本書中獲益，您不需要跟著 CD 逐音演奏。相反，您可以利用 Libbman 詳盡的書面注釋來幫助您識別和分析他在每個疊加進行中演奏的線條類型；然後嘗試以類似的方式在進行中即興演奏。中音/八音琴演奏者和其他樂器演奏者也可以參與其中，因為每首獨奏和進行都以音樂會調、降B調和降E調轉錄。---Down Beat雜

作曲家: Liebman David
樂器: C, B-flat, E-flat instruments
出版社: Jamey Aebersold Jazz
難度: Advanced;
風格: Jazz; Standard
原文簡介:
The most complete method for chromatic improvising over standards! David clearly explains and demonstrates the art of superimposing chords chromatically over "standard" chord changes (using several popular jazz favorites as his vehicles) to play contemporary sounding jazz lines. Includes standard and superimposed harmony for Girl from Ipanema, Donna Lee, Autumn Leaves, Take the A Train, Satin Doll, Rhythm and Blues Changes, Impressions, India, Loft Dance, and A Love Supreme. The CD contains both verbal instruction and David soloing over the standards using the techniques described in the book. The book contains analysis for each solo and the solos on the CD are transcribed for all C, B-flat, and E-flat instruments! "How to Approach Standards Chromatically is a slightly different kind of play-along. It's packed with transcriptions of Libbman solos which are meant to be studied, as much as played, by students. The scope of this book is a bit dizzying: Libbman's approach is to provide the student with twelve songs and superimposition concepts that progress up the dissonant food chain. The material Libbman draws upon for contrasting chromatic colors include upper structure chords, tritone relationships, ii-V substitutes, "Giant Steps" movement, side slipping, moving chord cycles, purely intervallic thinking, and other advanced concepts. To benefit from this book, you do not need to play along with the CD note-for-note. Rather, use Libbman's detailed written notes to help you recognize and analyze the kinds of lines he plays on each of the superimposed progressions; then try to improvise over the progressions in a similar vein. Alto/Bari players and other instrumentalists can also get in on the action, as each solo and progression are transcribed in concert key, B-flat and E-flat." ---Down Beat Magazine