Albéniz: Cantos de España, Op. 232 阿爾貝尼士 西班牙狂想曲

Cantos de España, Op. 232 "是西班牙作曲家以撒-阿爾貝尼斯（Isaac Albéniz）的五首鋼琴曲組曲。這部作品的靈感來自西班牙本土，尤其是阿斯圖裡亞斯的民間傳說及其慣用的音樂傳統。這些傳統包括源自熱情奔放的舞蹈（ritmo de danza）的響板式節奏；在緩慢如歌的樂段（coplas）中充滿激情、宣示性的旋律；以及來自吉普賽模式的異域和聲。奧爾加-拉諾-奎爾-懷特博士曾在巴賽隆納馬歇爾學院與西班牙傳奇鋼琴家阿莉西亞-德-拉羅查一起學習、演奏和研究這些曲目，並私下學習了 30 年。當前版本包括指法、重新分配以及 Larrocha 提供的其他寶貴見解。封面包括作曲家簡歷、編輯和演奏注意事項、每首曲子的分析以及西班牙語術語表。標題 序曲》*《東方》*《棕櫚下（西班牙舞曲）》*《科爾多瓦》*《塞基迪亞斯》"

作曲家: Albéniz Isaac
校訂者: Olga Llano Kuehl-White
樂器: Piano
出版社: Alfred Music
難度: Advanced;
風格: Latin; Masterwork
原文簡介:
Cantos de España, Op. 232, is a suite of five piano pieces by Spanish composer Isaac Albéniz. The work was inspired by Spain itself, particularly its Asturian folklore and its idiomatic musical traditions. These traditions include castanet-like rhythms derived from spirited dances (ritmo de danza); passionate, declarative melodies in slow, song-like sections (coplas); and exotic harmonies taken from Gypsy modalities. Dr. Olga Llano Kuehl-White studied, performed, and researched the repertoire with legendary Spanish pianist Alicia de Larrocha at the Academia Marshall in Barcelona and privately over a period of 30 years. The current edition includes fingering, redistributions, and other valuable insights provided by Larrocha. Front matter includes a short biography of the composer, editorial and performance considerations, an analysis of each piece, and a glossary of Spanish terms. Titles: Prélude * Orientale * Sous le palmier (Danse Espagnole) * Córdoba * Seguidillas.