Classical pieces 古典小品 雙長笛 齊默爾曼版

這裡介紹的所有樂曲都選自 18 世紀的克利須爾文學作品。其中三首樂曲分別由法國鋼琴家庫佩蘭（Couperin）、達金（Daquin）和拉莫（Rameau）創作，由於雙手使用的音域基本相同，因此只能在雙手動樂器上演奏。泰勒曼的 "Largo "選自《E大調幻想曲》，該曲屬於大鍵琴 36 首幻想曲之列。與法國樂曲截然不同的是，這首樂曲的兩個聲部功能相反：第一聲部演奏旋律，第二聲部演奏類似低音提琴的伴奏--這種角色分工在巴赫《安娜-瑪格達萊娜-巴赫注釋集》中的《加沃特舞曲》和《小步舞曲》中也能找到。海頓創作的兩首樂曲是鋼琴奏鳴曲中的樂章。除海頓的小步舞曲外，所有樂曲都經過移調，以適應長笛的音域"

校訂者: Geller, Doris
樂器: 2 flutes
出版社: Musikverlag Zimmermann
原文簡介:
All of the pieces presented here were taken from 18th century clavier literature. The three pieces written by the French clavier players Couperin, Daquin, Rameau can only be played on a two-manual instrument, because both hands largely use the same tonal range. The Largo by Telemann was taken from the Fantasia in E major which belongs to a group of 36 Fantasies for harpsichord. Quite contrary to the French pieces, the two parts have opposite functions here: while the first part plays the melody, the second performs a figured bass-like accompaniment - a splitting of roles that can also be found in Bach's Gavotte and Minuet from the Note Book for Anna Magdalena Bach. The two pieces composed by Haydn are movements from the piano sonatas. Except for Haydn's Minuet, all pieces were transposed to adapt them to the tonal range of the flute.